Congratulations to Re-Take Oakland filmmaker, Pallavi Somusetty, for being awarded the IDA Logan Elevate Grant, for her film, Coach Emily. With this grant, she will receive $30,000, story consulting, dedicated artist support, year-long individualized professional development opportunities and filmmaker-guided public programming.

Coach Emily is a feature documentary that follows Emily Taylor, an Oakland-based Black and queer rock climbing coach, as she battles systemic racism in her professional and personal life. Through her Brown Girls Climbing program, Emily trains young girls of color, including her own daughter, as they resist discrimination in the climbing world and work to define themselves in the outdoors.

We are excited to announce that Re-Present Media received a California Humanities grant for our event series, For Us, By Us: Our Beloved Communities. The series is planned to take place in Spring 2024.

In partnership with Filmmakers Collaborative SF, we are presenting a film screening and discussion event series highlighting six documentary films made by a multicultural group of local filmmakers who are telling personal stories of Bay Area community heroes. The featured filmmakers were fellows in our inaugural For Us, By Us Filmmaker Incubator program in 2023. We look forward to continuing to amplify their work and are grateful to California Humanities for their support!

Photo by Leola Studios LLC

We participated in the Color Congress National Convening, a biannual event for member organizations of Color Congress.

At the inaugural National Convening, 78 leaders of documentary organizations based in the United States and US islands gathered in Atlanta and online for three days with the aim of building trust, a shared vision for a reimagined documentary landscape, and a plan for our collective work forward.

DOK Industry Podcast - Keep on Keeping On

Our Director Jennifer Crystal Chien is featured in DOK Leipzig’s new podcast episode “Keep on Keeping On” from What’s Up with Docs. In this episode, host Toni Bell discusses with Jennifer the vital question of who is determining what is of interest and to whom?! They dive into the challenges faces by BIPOC filmmakers working in a dominant white supremacy culture and the need to generate new and more authentic representations and portrayals of BIPOC communities. Jennifer also talks about her commitment to advocacy and the field-building work at Re-Present Media.

Tune in now: What’s Up with Docs feat. Jennifer Crystal Chien – Keep on Keeping on

Curators of the episode: Toni Bell and Brianna Jovahn, MBA.

Congratulations to Re-Take Oakland filmmaker, Jessica Jones, for being selected as a Sundance Contributing Editor Fellow.

The yearlong fellowship spotlights emerging talents committed to the art and craft of editing nonfiction feature films. Contributing editor fellows receive a stipend, a dedicated mentor, and access to curated workshops and small gatherings through the fellowship year.

Re-Take Oakland filmmaker, Jay Gash, is now the Strategic Capacity Coordinator for QWOCMAP. Jay’s film, When the Garden Comes, which she started producing in Re-Take Oakland, premiered at the 18th Annual Queer Women of Color Film Festival in 2022. Jay was also a participant in QWOCMAP’s 2014 Film & Freedom Academy and has been a Mentor to other QWOCMAP Filmmakers since 2017.

As Strategic Capacity Coordinator, Jay supports core artistic programs and events including the Film Freedom Academy Filmmaker Training Program (4-Day Workshop), annual International Queer Women of Color Film Festival, Boutique Distribution Program, and the Critical Juncture Program for LBTQIA+ people of color supported by the Dream Keeper Initiative and Human Rights Commission.

Congratulations to Re-Take Oakland filmmaker, Pallavi Somusetty, for winning the $40,000 DocPitch 2023 Jury Award for her film, Coach Emily. Presented by DocLands Documentary Film Festival, DocPitch is an invitation for North American based filmmakers to submit their unfinished feature-length documentary projects currently in early to late stages of production. A jury selected five filmmaking teams to present a verbal pitch and a three-to-five minute trailer.

Coach Emily is a feature documentary that follows Emily Taylor, an Oakland-based Black and queer rock climbing coach, as she battles systemic racism in her professional and personal life. Through her Brown Girls Climbing program, Emily trains young girls of color, including her own daughter, as they resist discrimination in the climbing world and work to define themselves in the outdoors.

We are excited to announce our For Us, By Us Filmmaker Incubator cohort! Seven filmmakers telling personal stories from underrepresented Bay Area communities were selected to participate in our six month intensive. The cohort will participate in workshops, receive mentoring, and be given stipends to strategically use for their films.


Their six projects highlight intersections of race, class, and gender from across the Bay Area. We are thrilled to support these filmmakers’ stories for Bay Area communities by Bay Area filmmakers. With each film comes an opportunity to realistically represent those who have been underrepresented and provide insight into how we can better understand each other and ourselves.


Congratulations to Caroline Julia Cabading, Megan Martinez Goltz, Chad Santo Tomas, Mauro Sifuentes, Sé Sullivan, Erika Staud, and Priyanka Suryaneni. We look forward to supporting these filmmakers on their journeys!

Click here to learn more about the filmmakers and their projects.


We presented a Community Building session titled, Restorative Practices for BIPOC Creatives, for the European Film Market Toolbox Programme. The EFM Doc Toolbox Programme and EFM Fiction Toolbox Programme are part of the European Film Market’s Diversity & Inclusion initiatives. The programs empower filmmakers from marginalised groups and the Global South to gain market intelligence, business tools, and connections for effective navigation in the global film market.

Our session focused on principles and practices for BIPOC filmmakers and creatives working within environments rooted in white supremacist culture. The vision was to focus on working sustainably and effectively amid predictable challenges that arise. Themes of the session included shifting perspectives on approaching the work, handling challenging situations in new ways, and building community.